Ben Affleck and Matt Damon have been one of Hollywood’s truest and most brilliant friendships for almost 30 years now. From School Bonds to Goodwill Hunting, then decades later, The Last Duel, Air and now The Rip. It’s rare to see a real friendship last this long in the industry, let alone continue to produce truly compelling work together.
Obviously, School Ties was their first collaboration – a great early ’90s pre-school drama and really the start of both of their careers. But for me, my relationship with Affleck and Damon really began in college. Freshman year at McMaster, sitting alone in my dorm, I watched Good Will Hunting for the very first time. I remember sitting in silence as Matt Damon’s Will Hunting drove away down the highway at the end, towards a girl – and something about that moment just landed. Movies kind of changed for me at that point.
This was before Netflix. It was the era of Blockbusters. Our dorm had this shared network where everyone exchanged files, and I remember watching Good Will Hunting twice in one day, thinking it might be the best movie I’d ever seen. And honestly, at one point, it probably was. It’s not my favorite movie of all time, but it’s absolutely one of them. Since then, Affleck and Damon have become special actors for me. So when they get together — especially after going so long without working together — it really feels like an event.
Which brings us to The Rip.
Directed by Joe Carnahan and inspired by true events, The Rip follows a Miami police task force who receive information about a potential money stash. They think they’re facing a modest bankruptcy – maybe $150,000. Instead, they stumble upon over $20 million. From there, paranoia sets in. Trust is eroding. And the film becomes a psychological cat-and-mouse game about loyalty, corruption, and whether the people you trust most are actually the ones you should fear.
The cast is absolutely stacked – something Carnahan has always been good at (Smoking Aces was a formative “this movie is cool as hell” experience for me in high school). Alongside Affleck and Damon, you have Steven Yeun, Teyana Taylor (who just won major awards), the always reliable Kyle Chandler, Sasha Calle, and more. Everyone shows up ready to work.
But let’s be honest: we’re here for one main reason: Affleck and Damon.
They play cops, longtime partners who clearly respect each other…until that trust starts to break down. Watching their dynamic unfold is the best they’ve been together on screen since Good Will Hunting. And it’s a completely different energy. These aren’t scrappy kids or ambitious outsiders: they’re tough, uncompromising cops. There’s a lot of swearing, a lot of tension, and at one point they even come to blows. It’s electric. Their chemistry – built over decades – simply jumps off the screen.
All the great films they’ve made together (School Ties, Good Will Hunting, The Last Duel, Air and now The Rip) work because these two are extraordinary actors. When you let them “cut” on the screen, it’s fascinating.
What really surprised me, though, was how the twists and turns unfolded. I usually figure these things out early, but this movie really kept me guessing. When the curtain is finally drawn back and you realize what’s really happening, I actually said, well done, damn it. Paranoia works. The suspicion seems deserved. You’re constantly wondering who’s dirty, who’s clean, and if anyone is actually telling the truth.
This isn’t a shoot’em-up action movie. There are really only a few action sequences – one brief, one at the end – but that’s not the point. This is a slow-paced crime thriller, driven by performance and tension. And it happens. I was locked up all the time. I checked my phone maybe twice, which says a lot about watching Netflix at home.
And that’s the only frustrating thing: this film absolutely should have been released in theaters. January is known for being a dumping ground for bad movies, but The Rip is excellent. This could have easily made money at the box office with a short theatrical run. I would have loved to see this on the big screen – hell, even in IMAX. I want movie stars in movie theaters. As simple as that.
Kudos also to Wilbur, the money-sniffing police dog – always fond of a big movie dog, and Wilbur got the job done.
Ultimately, The Rip just works. It’s tense, well-acted, confident and powered by one of the best acting duos of the last three decades doing what they do best. No pun intended, but The Rip absolutely rocks.
Definitely check it out. This movie is going to make a lot of noise on Netflix – and rightly so – although it still feels like a missed opportunity not to see Affleck and Damon command a cinema screen again.
The tear = 75/100
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Hello guys and girls. For as long as I can remember, I’ve loved movies, pop culture, and anything geek and nerd related. So I decided to start writing down my thoughts about the things I love. Just an aspiring film critic, trying to make it. See you soon. View all posts by Wannabe Movie Critic
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